I am a Brooklyn-based writer and editor. My writing has been published in Bloomberg, The Bushwick Daily, Document Journal, Willamette Week, Oregon Arts Watch, and Portland Mercury. I am under contract with the Oregon Cultural Trust to write impact stories and media copy about grant recipients in the state. Currently, I work as an editorial assistant with The New York Post, where I edit the letters to the editor section.
As a journalist, I know how to distill interviews into meaningful narratives that have strong marketing potential. As a writer, I produce clean and compelling copy across a spectrum of communications channels, including stories, blogs, newsletters, and social media posts. You can take a look at some of my past work below and don't hesitate to get in touch.
Thanks for visiting,
Maximilian Tapogna
(Published on Instagram, Facebook, and OCT's blog)
Let the river run!
In March 2024, a brand-new Salmon Run sculpture will greet visitors to Newport’s Oregon Coast Aquarium, supported by an Oregon Cultural Trust grant award.
Designed by Portland-based artists Shelby Davis and Crystal Schenk, the Salmon Run “river” will be constructed out of blue copper mesh and hang from the lobby’s vaulted ceilings.
While providing visitors with a warm welcome to the aquarium, the Salmon Run will also serve as an educational tool. Since the mid-20th century, salmon populations in the Pacific Northwest have declined dramatically due to overfishing, logging and pollution.
Molly Dumas, the aquarium’s development director, hopes the installation will “elicit a sense of wonder” in visitors, as well as “inquiry about their connection to – and impact upon – the natural world.”
Story by Max Tapogna
(Published on Instagram, Facebook, and OCT's blog)
History speaks this winter at the Oregon Jewish Museum and Center for Holocaust Education.
Oregon Jews, A to Z, an upcoming exhibition at the museum, sponsored by an Oregon Cultural Trust Cultural Development Grant. Opening in February, the exhibition brings history to life through a combination of artifacts and oral stories.
“The exhibition includes a balance of whimsy and weightiness, with its emphasis on storytelling,” says Judy Margles, the museum’s director of the past 24 years. “The goal is to encourage visitors to learn about the contributions of Jews in Oregon.”
Oral histories include a 1976 interview with Jimmy Berg (born 1914), who recalls how kids would translate films into Yiddish for their parents at the south Portland cinema, owned by Berg’s parents.
Ultimately, Margles says the exhibition demonstrates “the importance of culture through storytelling.”
Story by Max Tapogna